Bevano Est (Italy)

Il Dolce Rumore della Vita

Bevano is the name of a river in the Italian region of Romagna, flowing into the ocean at one of the last unspoilt  coastal regions of the Adriatic Sea.
Bevano Est is a motorway service area, a non-place far from reality where all kinds of people and objects meet.

Bevano Est is a musical project founded in 1991. A formation of traditional instruments delivering original compositions full of subtle irony and tenderness. On a theatre stage they will lollop untidily, in an osteria they will demand all your attention, and on the piazza they will invite you to dance. A sound that boldly screens the world, happily convinced of the idea that art is no closed system but the centre of countless relationships. Music for body and soul, full of tenderness and fury, full of melancholy and joy.

Apart from their sparkling and intense live shows Bevano Est write film soundtracks and compose scores for Italian directors such as Giuseppe Bertolucci and Ermanno Olmi. At the 2019 Brooklyn Film Festival they won the Best Soundtrack Award for Kristian Gianfreda’s Solo Cose Belle. In 2020 they released the album Cinque Racconti d’Estate based on the theatre piece Preludi d’Amore by Italian actor, scenographer and environmental activist Luigi d’Elia.


Line Up

Stefano Delvecchio diatonic accordion, vocals
Davide Castiglia         violin
Giampiero Cignani     clarinet, bass clarinet


Discography

2020 Cinque Racconti di Fine Estate, CD Bevano Est & Luigi d’Elia
2012 E-Ventone , A14, DVD Bevano Est Concerto
2010 Bevano Est, A14, CD Bevano Est Live
2004 Ramingo, A14, CD Bevano Est
1999 Il dolce rumore della vita, Sony, CD Soundtrack
1998 Ludla, Scuola di Musica Popolare, CD Bevano Est
1998 Corone, Scuola di Musica Popolare/Musica in campo, CD Bevano Est
1995 Fuoco Centrale, Teatro Valdoca, CD Bevano Est
1993 Gradisca, Ribium Record/Scuola di Musica Popolare, CD Bevano Est


Press


“Rural and refined are two terms that perfectly match this ensemble. Bevano Est keep the drive, the dance and the desire for boundlessness of folk music,  blend it with the influence of contemporary masters and make it unique through the grace of their compositions.”
Mariangela Gualtieri, Italian poet and writer
 
“Rich sonorities with echoes from folk and jazz, refusing any easy categorization – this is what makes this ensemble so special…. Old souls knowing about the real good.”
Michele Parcarella, Italian music and theatre critic

“Their music is pervedad by something romantic, now and then accompanied by subtle irony. Bevano Est bring back to us what we had thought lost forever in the mutilations of the modern ego.”
Marina Belke, Berlin, DE

Alegría e Libertà (Galicia/Belgium/Italy)

Joy, Freedom and Strong Female Voices

Alegría e Libertà is the encounter between the fiery Cantabrian sea, kissing the cliffs of the Praia das Catedrais, off the coast of Ribadeo and the languor of the Ionian Sea, coloring the Terra d’Otranto in vivid azure.

From muñeira to tarantella, this musical journey takes us on the paths of Santiago de Compostela, through Galicia, this region of northwestern Spain, neighbor of Portugal, of Celtic culture; and on the paths of Salento, in the extreme south-east of the Apulia region, described as ‘the heel of the Italian boot’.

This album is dedicated to the meeting of the voices of memory: that of the “pasionaria” of Italian folk song, Lucilla Galeazzi, and those of the ethereal Galician “cantareiras” of Ialma. A repertoire oscillating between tradition and modernity, sublimated by the virtuosity of the diatonic accordionist, Didier Laloy, the rhythmic energy of tamburello player Carlo Rizzo and the excellence of Maarten Decombel on guitar.

Alegría e Libertà are songs of women to each other, to strengthen themselves at work, while harvesting potatoes or spinning jute fiber; to encourage themselves while waiting for their men who went fishing at sea; to resist when their songs are repressed by dictatorship. Popular songs that bring us back to the culture, to the roots, to the identity that is passed on generation after generation.

Nevertehless Alegría e Libertà is also the joy of singing and dancing, from moving vocal fusion to mystical lyricism, in absolute freedom.


Line Up

Veronica Codesal – vocals, percussion
Eva Fernandez – vocals, percussion
Natalia Codesal – vocals, percussion
Marisol Palomo – vocals, percussion
Lucilla Galeazzi – vocals
Didier Laloy – diatonic accordion
Carlo Rizzo – tamburello
Maarten Decombel – guitar


Discography

2019 Alegría e Libertà (Homerecords.be / GalileoMC)


Press


“In a time when freedoms are being threatened, including artistic freedoms, in Europe and elsewhere, my sense is that this is a quiet cri-de-coeur from artists that are part of that international community that is forming in places like Belgium, where many paths cross in the heart of today’s political Europe…. a very joyous and passionate project.”
Rootsworld.com, USA

Luca Bassanese & La Piccola Orchestra Popolare (Italy)

Italian Manu Chao

There has never been a more unusual career than that of Luca Bassanese. Ecologist and independent artist, Luca regularly fills public spaces and concert halls around the country with his mix of poetry, Italian folk music and electro-Balkan sounds. His performances with La Piccola Orchestra Popolare will put you in a good mood and make you want to dance, move your feet and lose yourself for a moment in a third reality. This is what happened to thousands of people in 2018 at various European festivals like Paléo in Switzerland, Esperanzah! and Dranouter in Belgium, and Vidor Festival in Hungary.

The artistic director of ‘Le Grand Soufflet’ festival in France wrote: “The minstrel, activist, poet and musician Luca Bassanese slays austerity by summoning Trans-alpine fanfares and tarantellas in a grand Fellini operetta, in a style that is both folk and world music. A musician who grew up with the records of the great Fabrizio de Andrè, and enlivened by the powerful folklore of the two shores of the Adriatic (the Italian and the Balkan), he fanned the embers of social engagement with klezmer hints of brass or heady gusts of opera buffa. What Luca Bassanese proposes to us is a modern spectacle, Circassian and ruffling, a new cornerstone in its work of restoration of the great Italian popular music.

The best songs of his repertoire (12 albums since 2005) are part of Luca Bassanese’s new show, supplemented by new compositions produced by Stefano Florio, manager of the Buenaonda label. Over the years, Luca Bassanese has collaborated with numerous Italian and foreign artists, including, to name a few, the Original Kocani Orkestar of Macedonia, the Berber artist Bachir Charaf (nicknamed The Voice of the Desert), and the satirical artist Antonio Cornacchione. On his latest album also appears Jacopo Fo (son of the writer, playwright, director and actor Dario Fo, Nobel Prize for Literature) and the Choir Mondines de Bentivoglio. Luca is also a regular host of the prestigious Carnevale di Viareggio. Among the official recognition for his artistic and activist engagement, Luca has received several awards (Targa MEI, Premio Recanati Musicultura, Marcello Torre National Award, etc.).

Luca is without question one of the major characters of the new committed Italian popular music. His colourful shows are accessible to a wide audience, including family and children.


Line Up

Quartet
Luca Bassanese – lead vocal, tammorra, guitar, bass drum
Stefano Florio – guitars, bouzouki, effects, vocals
Massimo Tuzza – drums
Elodie Lebigre – vocal, dance

Sextet
Luca Bassanese – lead vocal, tammorra, guitar, bass drum
Domenico de Nichilo – trumpet
Stefano Florio – guitars, bouzouki, effects, vocals
Paolo Cecchin – bass, vocals
Massimo Tuzza – drums
Elodie Lebigre – vocals, dance


Discography

2020 Piazza Bassanese, CD, Ola Ola Music
2019 Liberate l’Elefante! Venite Gente Pim Pum Pam, CD, Ola Ola Music
2019 Live at Paléo Festival Nyon, CD, Ola Ola Music
2017  Colpiscimi felicità, CD, Buenaonda
2015  Quando piove tutti cercano riparo tranne gli alberi che hanno altro a cui pensare, CD, Buenaonda
2014 L’amore (è) sostenibile, CD, Buenaonda
2013 Popolare contemporaneo – per l’acqua, per la terra per la dignità dei popoli, CD, Buenaonda
2012 La Rivoluzione, CD, Buenaonda
2011 C’è un mondo che si muove!, CD, Buenaonda
2010 Il Futuro del Mondo, CD, Buenaonda
2008 La Società dello Spettacolo, CD, Buenaonda
2006 Al mercato, CD, X-Land
2005 Oggi che il qualunquismo è un’’arte mi metto da parte e vivo le cose a modo mio, EP, X-Land


Press

“A minstrel show, full of music and fantasy, where italian Commedia dell’Arte meets Fellini’s magic world.”
Cabaret Sauvage@Le Bal Rital, Paris (FR)

“Luca Bassanese accompanied by the Piccola Orchestra Popolare, a passionate exhibition of strong scenic and musical impact. The actor, musician and ballad singer proved again to be one of the most interesting exponents of the Italian popular music world. “
Michele Fumagallo, Il manifesto (IT)

“The street orchestra accentuates the athmosphere with Bassanese the “philosopher”, outright and addictive.”
Andrea Laffranchi, Corriere della Sera (IT)

“In Paris, Place d’Italie, a crowd gathered and danced to the rhythm of the hectic tarantella of the Italian artist Luca Bassanese and his group. Congratulations to Luca whom we want to hear again in many public places of the city!”
Nadia Khouri-Dagher, Babelmed.net (IT, FR, UK)

„I was there… spectacular concert of Luca Bassanese and his band, magnificent, fantasy, poetry…“
Bruno Moio, Radio Aligre, Paris (FR)

Suonno d’Ajere (Italy)

Canzone Classica Napoletana

Three passionate musicians, born and bred in the city of Naples, have come together to prove once and for all that the tradition of Neapolitan song writing is still as moving and relevant as it has ever been.

Suonno d’Ajere means “The Dream of Yesterday” and refers to a famous song title by Neapolitan cantautore Pino Daniele. The trio was born in 2016 from the need to know and enhance what Naples has produced in its vocal musical history. Despite their different musical backgrounds, from jazz to light music, from popular to classical, the members of the group have always been confronted with Neapolitan song, remaining deeply fascinated. They intend to restore dignity and depth to this tradition by exploring all the repertoire from 1600 to the present day, proposing arrangements that combine stylistic rigour with a contemporary approach. The choice of instruments recalls the popular Posteggia formations from the early nineteenth century, street and bar musicians loved by common people as well as by aristocrats, but the execution is of a far more refined and sophisticated approach, often far from the street versions. The result is a flamboyant mix between popular and classical that has always been the cornerstone of Neapolitan music.

Suonno d’Ajere are the recipients of numerous awards (including the First Prize at SanremoCantaNapoli Festival as well as a performance at Biennale di Venezia for the soundtrack of La Chimera documentary) and much critical acclaim for their performances of existing songs as well as their own original compositions. In 2019 they released their debut album Suspiro.

“Neapolitan song is not a relic for museums, nor a mummy without oxygen. Its scores are no holy pells but a legacy to be celebrated.” Suonno d’Ajere


Line Up

Irene Lupe Scarpato – vocals
Marcello Smigliante Gentile – mandolin, mandola, mandoloncello
Gian Marco Libeccio – classical guitar


Press

“breathtaking musicality …. one of the best albums of the year.”
Mirjam Jessa, ORF Ö1, AT

“Suonno d’Ajere clearly believe in the songs and the mother tongue of the Gulf of Naples.“
Napoli Today, IT
„This group gives me hope for our forgotten classical repertoire.“
Salvatore Palomba, poet and writer, IT

„Suspiro is neither vintage nor anachronistic, but the intelligent balance between philology and the temptations of our time.“
Il Mattino, IT

„Suonno d’Ajere reassure!“
Radio Napoli

Lucilla Galeazzi (Italy)

The Pasionaria of Italian Folk

Currently the most active and worldwide well-known Italian folk singer, Lucilla Galeazzi’s career as a soloist or included in projects by other famous artists keeps her constantly on tour all over the world. After many years with Giovanna Marini’s Vocal Quartet and Christina Pluhar’s L’Arpeggiata, she keeps on singing and touring with her own musical projects, spreading worldwide the Italian oral tradition of popular music.

Lucilla Galeazzi was born in Terni, a small inustrial town in Umbria. Starting as a pop singer, soon she approached popular music after a fortunate encounter with Umbria anthropologist Valentino Paparelli and with oral historian Alessandro Portelli, both already engaged in ethnomusicological research in Umbria and central Italy. In 1977 she meets Giovanna Marini and joins her Vocal Quartet, knowing a consequent international success. In 1986 she meets Roberto de Simone and takes part in his great show “Stabat Mater” performed at the Opera Theater in Naples and on tour in New York and the USA. In 1987 she founds the musical trio Il Trillo, with Ambrogio Sparagna, barrel organ, and Carlo Rizzo, tambourines. With this trio she goes beyond the mere re-statement of musical oral tradition.

Lucilla has performed on the big opera stages in Naples, Berlin, Hamburg and New York and worked with many stars of the international folk scene such as Elena Ledda from Sardinia, Maria del Mar Bonnet from Mallorca, Portuguese Fado singer Teresa Salgueiro, Argentinian Mercedes Sosa and Rai singer Cheb Khaled from Algeria. Together with the French jazz musicians Michel Godard und Vincent Courtois she founded the critically acclaimed Trio Rouge, and for many years she toured around the world as a member of Christina Pluhar’s Baroque ensemble L’Arpeggiata.

She is one of the voices of Bella Ciao, the Italian all star project around organetto maestro Riccardo Tesi, which 50 yeras later restages the historical partisans’ and workers’ songs of the Italian Folk revival of the sixties and seventies. Recently Lucilla has also started to present her own productions: In 2014, she writes and promotes two major theatrical-musical shows dedicated to the First World War: Doppio Fronte. Oratorio per la Grande Guerra, with renowned Italian actor and performer Moni Ovadia, and Il fronte delle donne. In 2016 she writes and plays the show La nave a Vapore, devoted to the history of the great Italian migratory movements. Her latest adventure is Alegria e Libertà, an international co-production with the Galician-Belgian vocal quartet Ialma,  Didier Laloy on accordion and Carlo Rizzo on tamburello.


Current Projects

Solo Lucilla Galeazzi vocals & guitar
Duo Quanti Canti Lucilla Galeazzi & Stefania Placidi (vocals & guitars)
Trio Trad Lucilla Galeazzi vocals / Marcello Vitale guitar / Carmine Bruno percussion
Trio Rouge Lucilla Galeazzi vocals / Michel Godard tuba / Vincent Courtois cello
Festa Italiana Lucilla Galeazzi & Quintet
Alegria & Libertà Lucilla Galeazzi & vocal quartet Ialma (BE) – acc – perc


Discography

2018 Alegria e Libertà, Lucilla Galeazzi/Ialma/Didier Laloy/Carlo Rizzo/Maarten Decombel (Homerecords/Galileo MC)
2015 Bella Ciao, Lucilla Galeazzi/Riccardo Tesi/Elena Ledda etc (Visage Music/Galileo MC)
2013 Festa Italiana, Lucilla Galeazzi (Helikonia)
2010 Ancora Bella Ciao, Lucilla Galeazzi (Helikonia)
2010 Sopra i Tetti di Firenze, Lucilla Galeazzi/Riccardo Tesi/Maurizio Geri (Manifesto)
2006 Amore e Acciaio, Lucilla Galeazzi (Zonedimusica)
2005 Stagioni, Lucilla Galeazzi (Buda Musique)
2004 Trio Rouge, Lucilla galeazzi/Michel Godard/Vincent Courtois (Intuition)
2004 All’Improvviso, Lucilla Galeazzi & Christina Pluhar/L’Arpeggiata (Alpha Production)
2002 Renaissance, Philippe Eidel & Lucilla Galeazzi (Naive)
2002 La Tarantella, Lucilla Galeazzi (Alpha Production)
2001 Lunario, Lucilla Galeazzi (C.N.I.)
1997 La Via dei Romei, Ambrogio Sparagna & Lucilla Galeazzi
1997 Cuore di Terra, Lucilla Galeazzi (C.N.I.)
1993 Giovà il Servo del Ré, Ambrogio Sparagna & Lucilla Galeazzi (BMG)
1992 Il Trillo, Lucilla Galeazzi / Amrbogio Sparagna / Carlo Rizzo (Thelonius)
1984 Anninnia, Paolo Damiani & Lucilla Galeazzi (Nueva)



Press

„These ancient melodies, witness to the rich culture of Italy’s storied past, are made new again through Galeazzi’s exquisite voice and engaging style. Galeazzi’s arrangements of Italian songs and dance melodies celebrate the beauty and vitality of the Mediterranean’s multicultural heritage.“
Carnegie Hall Promotion, USA

„Lucilla’s voice has a wide field to offer: harmonious and quiet, sad and melancholic and also very powerful and intensive. The album is full of southern emotions. Great work!“
Folkworld, DE

„Lucilla Galeazzi has a voice of amazing clarity, versatility and beauty. This collection of songs allows that voice to shine. Lunario is full of conflicting feelings and expressions that are magically bridged by the simple power of the songs.“
Rootsworld, USA


 

Riccardo Tesi (Italy)

Il Signore del Folk

For more than 30 years Riccardo Tesi has been one of the most imaginative players of the organetto, the diatonic button accordion. As an ethnomusicologist he has explored the liscio, the waltz of his native Tuscany, the musical traditions of southern Italy, the Balkans, Madagscar, Africa or India as well as jazz or Nino Rota’s film music.

With his longtime project Banditaliana he melts all those elements into a colourful, refined and easily danceable art music which nevertheles remains deeply rooted in Italian tradition. Tesi has collaborated with numerous artists of the Italian and European world and jazz scene (Elena Ledda, Patrick Vaillant, Gianluigi Trovesi, Gabriele Mirabassi, Gianmaria Testa etc), and in 2002 he was awarded the “Voce d’Oro” Prize at the Castelfidardo International Accordion Festival for outstanding achievements on his instrument.

The fresh and sunny music resulting from Banditaliana’s kaleidoscope of sounds is regardless of categories, searching for innovation but sticking to its roots, as a wide synthesis of forms and rites drawn from the Tuscan tradition, Mediterranean flavours, jazz improvisation and songwriting. Original compositions, instrumental virtuosity, precious rhythmic grooves and refined arrangements represent the stylistic features of the group, that over the years has gained a reputation as one of the most interesting bands in the international world music scene and has achieved great success while touring Europe and Canada, regularly appearing at the most important folk&jazz festivals.


Line up Banditaliana

Riccardo Tesi – accordion
Maurizio Geri – guitar, vocals
Gigi Biolcati – percussion
Claudio Carboni – sax


Current Projects

Riccardo Tesi & Banditaliana (quartet)
Duo Riccardo Tesi (acc) & Maurizio Geri (guit/voc)
Trio Riccardo Tesi (acc) – Maurizio Geri (guit/voc) – Gabriele  Mirabassi (clar)
Riccardo Tesi CAMERISTICO (quintett)
Riccardo Tesi PRESENTE REMOTO (sextet)
BELLA CIAO feat. Lucilla Galeazzi, Elena Ledda, Ginevra di Marco (sextet)


Discography (selection)

2018 Riccardo Tesi & Banditaliana “Argento” (Visage Music/Materiali Sonori)
2015 Riccardo Tesi & Lucilla Galeazzi, Elena Ledda and others “Bella Ciao” (Visage Music)
2014 Riccardo Tesi & Banditaliana “Maggio” (Visage Music/Materiali Sonori)
2011 Riccardo Tesi & Banditaliana “Madreperla” (Viavai/Materiali Sonori)
2010 Riccardo Tesi & Maurizio Geri “Sopra I Tetti Di Firenze” (Materiali Sonori)
2007 Rioccardo Tesi “Solo Organetto” (Cinq Planètes/Felmay)
2007 Riccardo Tesi “Presente Remoto” (Il Manifesto)
2006 Riccardo Tesi & Claudio Carboni “Crinali” (Felmay fy 8114)
2004 Riccardo Tesi & Banditaliana “Lune” (Il Manifesto CD140)
2003 Riccardo Tesi “Acqua Foco e Vento” (Dunya Records)
2001 Riccardo Tesi “Acqua, foco e vento LIVE” (VM301)
2000 Riccardo Tesi & Banditaliana “Thapsos” (Il Manifesto CD063)
1998 Riccardo Tesi “Banditaliana” (Il Manifesto CD028)
1995 Riccardo Tesi “Un ballo liscio” (Auvidis Tempo A 6242)
1995 Riccardo Tesi “Un ballo Liscio” (Silex Y 225056)
1994 Riccardo Tesi, G. Trovesi & P. Vaillant “Colline” (Silex Y 225048)
1993 Riccardo Tesi, K. Junkera & J. Kirkpatrick “Trans-Europe Diatonique” (Silex Y 225026)


Press

“A brilliant set of modern Italian folk with strong jazz and world music influences, mostly instrumental, but regularly interspersed with beautiful son.”
Heaven 2 NL

“Accordionist Tesi, saxophonist Claudio Carboni, guitarist Maurizio Geri, and percussionist Gigi Biolcati are all utterly masterful musicians, and the world’s their oyster. One can’t produce pearls without grit, however, which here takes the form of subtle but pointed political commentary.”
Straight.com, Canada

“…exciting arrangements breathing new and fresh life into the old songs. This is one of those albums that grows onto you when listening to it again and again – probably, because some of the arrangements are rather complex. I am now at a stage of loving this album, listening to it again and again, falling for the charming spell that this music has in it, and discovering each time new details. So an album not only of cultural interest, but also highly enjoyable.”
Folkworld, DE

“Tesi has always been considered a master of his craft, a highly sought after session musician and a member of many of Italy’s best ensembles over the years, but with Banditaliana he is firmly in control and shows that while craftsmanship counts, artistry is the real test. Tesi passes, 100%.”
RootsWorld, UK

Maurizio Geri Swingtet (Italy)

Swing Manouche all’Italiana

For many years we have known the man with the velvet voice as singer, guitar virtuoso and the author of some of the most beautiful songs of Riccardo Tesi’s Banditaliana – but only very few people north of the Alps will know that Maurizio Geri is also a band leader!

With his Swingtet he renders homage to the style of grandmaster Django Reinhardt, blending the typical Manouche technique with Swing and Italian cantautori tradition. The result is a unique sound that over the years has made the band Italy’s number one of Swing Manouche. Maurizio Geri Swingtet are also the only Italian ensemble that ever caused a stir at the genre’s most important festival in Samois sur Seine in France.

The Swingtet is Maurizio’s core activity around the heritage of Django Reinhardt. He has studied and played with Manouche artists, but without ever renouncing to his own roots. This means that he has learned Django’s lesson not only for the guitar and the repertoire, but above all in the dialogue between originality and belonging that had made of the master the great idol of generations of European, non academic musicians.

So far Maurizio Geri has released five critically acclaimed albumss. His musical approach is passionate and free, strict but open for innovation. Django’s heritage is presented in the disguise of Jazz, dance music and und improvisation, very European but at the same time full of respect for the Italian singer-songwriter tradition and Maurizio’s first musical love, the folk tunes of his native Tuscany.


Line up

Maurizio Geri – vocals, guitar
Luca Giovacchini – guitar
Michele Marini – clarinet
Giacomo Tosti „Giacobazzi“ – accordion, piano
Nicola Vernuccio – double bass

Discography

2015 Swing a Sud
2012 Tito Tariero
2007 Ancora Un Ballo
2002 A Cielo Aperto
1996 Manouche et Dintorni


Presse

“Light and mediterranean Gypsy Swing…fiery, tender and at moments wonderfully sentimental.”
Folker, DE

“The music is nostalgic in a charming way and sounds enjoyably old-fashioned…. Maybe Django Reinhardt would sound like this today.”
Folkworld (DE)

“Maurizio Geri is a refined and sensitive guitarist – his elegant phrasing combines poetry and musicality, he is never too restrained or outré, his notes always make sense…. a lesson for all Django apprentices.”
Djangostation (FR)

Donauwellenreiter (Austria/Italy)

Imaginary Folklore and Chamber Pop

Donauwellenreiter are one of the most exciting and innovative projects of the contemporary scene in Vienna. They play a fascinating distinct sound of highly poetic charisma and have gained recognition at home as well as abroad for both their outstanding live concerts as well as recordings.

The mix of the musical influences and experiences of the individual ensemble members – all of whom also compose and contribute their various style origins such as folklore, pop, jazz, classical, chamber music, world music and more – merges into a mesmerizing, sensually and intellectually stimulating whole. As meticulous as it may be to articulate all the nuances of the unique Donauwellenreiter sound and style – the beauty and the clarity of this music at certain moments will leave you speechless.

Donauwellenreiter succeed in creating equally approachable and demanding modern art music, which also fascinates and inspires listeners who avoid compulsive genre conventions and appreciate quality and artistic substance. Thus, the quatuor find their attentive audiences in Germany, Switzerland, Serbia, Portugal or Canada as well as at home in Vienna, the mature urban openness of the city being undoubtedly a basic element and a precondition for the art of this ensemble.

After their critically acclaimed third album Euphoria (2016) they released Donauwellenreiter Play Gianmaria Testa in 2017, in tribute of the well known Italian song poet who had passed away in 2016. Delta, the fourth studio album of this very special quartet, was released in April 2020 and clearly transcends the ensemble’s world music origins towards a minimalistic chamber pop sound.


Line up

Thomas Castaneda – piano, keyboard
Maria Craffonara – voice, violin, percussion
Lukas Lauermann – cello
Jörg Mikula – drums


Discography

2020 Delta (Aestate Records/Hoanzl)
2018 Euphoria Live, Vinyl in the series Studiokonzerte (Bauer Studios/Neuklang Records)
2017 Donauwellenreiter Play Gianmaria Testa (Hoanzl)
2016 Euphoria (Laloki Music/Hoanzl)
2014 Messei (Intuition Records)
2012 Annäherung (4tm/Hoanzl)


Awards

2018 Oberschwäbischer Kleinkunstpreis “Kupferele”, Ravensburg, DE
2014 The New Austrian Sound Of Music  2014/15, AT
2014 Newcomer of the Month, Jazzzeitung 2014, DE
2014 Nomination for Preis der deutschan Schallplattenkritik, Longlist 3/2014, DE
2013 Special Jury Prize, International Music Festival Castelfiardo, 2013, IT


Press

“Ear candy and medicine for the soul. Recommend!”
Jazzquad, RU

“highest level, contemporary and original crossover sounds”
Oberschwäbischer Kleinkunstpreis, DE

“Chamber music, minimalism, but also powerful yet acustically filled pop structures merge into an ensemble sound that is rounded off by the vocal contributions of violinist Maria Craffonara (in Ladin!).”
Jazzthetik, DE

Not rock, not folk, not jazz. Instead, music of a new wave.”
Folker, DE

„The music of Donauwellenreiter has a centripetal force driving directly for the realm of resonance which moves our soul beyond any cultural-language ties, then, acquires much more higher dimension than any exquisite pattern of notes or rhythms can reach…“
Jazztokyo, JP, Kayo Fushiya

“A sparkling mix of chamber orchestra and ambient jazz band.”
Die Presse, AT

“Wow (…) if you want something you’ll enjoy so much, that’s gleefully out of the ordinary, that’ll drive you nuts, this is what you want to be hearing. Well done”
Midwest Record, USA