Bevano Est (Italy)

Il Dolce Rumore della Vita

Bevano is the name of a river in the Italian region of Romagna, flowing into the ocean at one of the last unspoilt  coastal regions of the Adriatic Sea.
Bevano Est is a motorway service area, a non-place far from reality where all kinds of people and objects meet.

Bevano Est is a musical project founded in 1991. A formation of traditional instruments delivering original compositions full of subtle irony and tenderness. On a theatre stage they will lollop untidily, in an osteria they will demand all your attention, and on the piazza they will invite you to dance. A sound that boldly screens the world, happily convinced of the idea that art is no closed system but the centre of countless relationships. Music for body and soul, full of tenderness and fury, full of melancholy and joy.

Apart from their sparkling and intense live shows Bevano Est write film soundtracks and compose scores for Italian directors such as Giuseppe Bertolucci and Ermanno Olmi. At the 2019 Brooklyn Film Festival they won the Best Soundtrack Award for Kristian Gianfreda’s Solo Cose Belle. In 2020 they released the album Cinque Racconti d’Estate based on the theatre piece Preludi d’Amore by Italian actor, scenographer and environmental activist Luigi d’Elia.


Line Up

Stefano Delvecchio diatonic accordion, vocals
Davide Castiglia         violin
Giampiero Cignani     clarinet, bass clarinet


Discography

2020 Cinque Racconti di Fine Estate, CD Bevano Est & Luigi d’Elia
2012 E-Ventone , A14, DVD Bevano Est Concerto
2010 Bevano Est, A14, CD Bevano Est Live
2004 Ramingo, A14, CD Bevano Est
1999 Il dolce rumore della vita, Sony, CD Soundtrack
1998 Ludla, Scuola di Musica Popolare, CD Bevano Est
1998 Corone, Scuola di Musica Popolare/Musica in campo, CD Bevano Est
1995 Fuoco Centrale, Teatro Valdoca, CD Bevano Est
1993 Gradisca, Ribium Record/Scuola di Musica Popolare, CD Bevano Est


Press


“Rural and refined are two terms that perfectly match this ensemble. Bevano Est keep the drive, the dance and the desire for boundlessness of folk music,  blend it with the influence of contemporary masters and make it unique through the grace of their compositions.”
Mariangela Gualtieri, Italian poet and writer
 
“Rich sonorities with echoes from folk and jazz, refusing any easy categorization – this is what makes this ensemble so special…. Old souls knowing about the real good.”
Michele Parcarella, Italian music and theatre critic

“Their music is pervedad by something romantic, now and then accompanied by subtle irony. Bevano Est bring back to us what we had thought lost forever in the mutilations of the modern ego.”
Marina Belke, Berlin, DE

Didier Laloy & Quentin Dujardin (Belgium)

Water & Fire

Two distinguished and internationally renowned figures of the Belgian musical scene have joined forces for an exciting new project: Didier Laloy (accordion) and Quentin Dujardin (guitar) present their first common album Water & Fire.

The original compositions defy rigid genre definitions and range somewhere between jazz, classical, folk and film music. A dialogue between water and fire, born during a serious of work residencies in the Belgian studio of Agua Music, an intense musical moment where space and time come to a standstill and allow the adventure of a common hand.

Two at first sight rather contrary characters have started to search for a possibile understanding between hot and cold, taking the risk of connecting two different conceps of musical approach.  Romanesque encounters Baroque and results in a wonderfully melodic and vivid album. These two artists perfectly complement each other – expressivity blends with intensity and offers us fiery and at the same time glacial sound emotions.

Water & Fire represents a return to the discographic origins of the two leaders: „We believe in this eternal moment of creation. What immense joy to share our music! The most important remain our personal enrichment and the freedom each of us gains by taking risks, for which this project is a wonderful example.“


Tour Line Up

DUO Quentin Dujardin (guitar) & Didier Laloy (diatonic accordion)
TRIO Duo plus Adrien Tyberghein (double bass)
QUARTETT Trio plus Nicolas Fiszman  (bass)


Press

“A highly anticipated album celebrating the wedding of fire and water.”
Paris Match, FR

“These artists remain masters in the art of subtlety.” Jazz Enzo, NL
 
“An album full of crazy harmony.” Le Soir, BE

“The eleven poetic tracks of this album are as many seasonal and atmospheric walks. It is beautiful and meaningful.” Jazz Rhone Alpes, FR


Merima Ključo & Jelena Milušić (Bosnia Herzegovina)

‚Lume‘ – Dramatic Love Songs and Dark Chansons

‘Lume’ is a thrilling project brought to us by two brilliant Bosnian musicians, Merima Ključo and Jelena Milušić. The enormous value of this conceptual work lies in the diverse cultural origins and languages of the repertoire – the love songs from different parts of the world combined with Ključo’s song cycle, based on Romanian, Croatian, Kosovan and Sephardic traditional pieces. In different languages, ‘Lume’ has various meanings: world, life, source of light, illusion, fire, spark, lover, humanity, more than love…, but all these meanings point in the same doubtless direction: life is passion and love!

The magnetic connection between these two musicians takes us on a dreamlike journey through diverse worlds of strong, expressive and yet subtle music. Jelena’s unique and rare, singularly versatile contralto complements brilliantly the notes of Merima’s concert accordion. Jelena’s voice transforms from one song to the next in a truly chameleonic and fascinating way. Together on stage Jelena and Merima, with just a voice and an accordion, build an atmosphere that is enchantingly theatrical: they completely wrap their audience in their wide-ranging performance that goes from grimly dramatic to fetchingly melancholic, only to dissolve into a cheerful, almost cabaret-like finale.

Acclaimed concert accordionist Merima Ključo masters a dizzying variety of music, her play moving by its depth of understanding and experience. Whether performing as a guest soloist with world renowned orchestras and ensembles, or as a composer and performer for theatre, movie and radio productions, her passion and mastery in both traditional and contemporary music allows her to explore new artistic dimensions combining them in a compelling and unique way.

Expressive and bold, Jelena Milušić is a singer who easily transforms her voice to the needs of various genres ranging from blues, jazz, rock to traditional Balkan and world music. With Orchestre National du Vetex, Milušić performed throughout Europe. With Bosnian guitarist Atilla Aksoj, she interprets Sephardic and Romani music under the name Barimatango.


Line up

Merima Ključo – concert accordion
Jelena Milušić – vocals


Diskography

2018 Lume, Croatia Records


Press

“Mind-blowing! Pleasant pain is caused on the one hand by the richness of Merima Ključo’s artistic expression, whose every tone, interval, chord or cluster on the accordion grow out of layers of determination and melancholy. And when Jelena Milušić’s incredible vocal gets involved, I wonder if Merima’s accordion has a human voice among its registers.”
Marija Vitas, ethnomusicologist & Editor in Chief, Serbian World Music Magazine (RS)

“When one makes love it is usually behind some kind of closed door, but there Merima and Jelena were, making love with their music, for all of us to see. Very Sexy.”
Kathleen Kaun, soprano, former Chair of Voice and Opera at Rice University, USA
 
“Jelena is absolutely unique and stirringly chameleon-like.”
Maja Vasiljevic, Rumbo al Este, Radio Clásica, RTVE, Spain

“The touch that Merima has to the accordion tunes easily with the most recondite of the human soul. No matter which repertoire she plays or where the listener comes from, Merima is a true wizard whose magic spell works universally! If one really pays attention to her art, one falls at her feet forever.”
Maja Vasiljevic, Rumbo al Este, Radio Clásica, RTVE, Spain
 
“Jelena Milušić’s powerful contralto voice, rich in deep resonances,
with full sense of drama…”
Francesco Martinelli, New York City Jazz Record

Luca Bassanese & La Piccola Orchestra Popolare (Italy)

Italian Manu Chao

There has never been a more unusual career than that of Luca Bassanese. Ecologist and independent artist, Luca regularly fills public spaces and concert halls around the country with his mix of poetry, Italian folk music and electro-Balkan sounds. His performances with La Piccola Orchestra Popolare will put you in a good mood and make you want to dance, move your feet and lose yourself for a moment in a third reality. This is what happened to thousands of people in 2018 at various European festivals like Paléo in Switzerland, Esperanzah! and Dranouter in Belgium, and Vidor Festival in Hungary.

The artistic director of ‘Le Grand Soufflet’ festival in France wrote: “The minstrel, activist, poet and musician Luca Bassanese slays austerity by summoning Trans-alpine fanfares and tarantellas in a grand Fellini operetta, in a style that is both folk and world music. A musician who grew up with the records of the great Fabrizio de Andrè, and enlivened by the powerful folklore of the two shores of the Adriatic (the Italian and the Balkan), he fanned the embers of social engagement with klezmer hints of brass or heady gusts of opera buffa. What Luca Bassanese proposes to us is a modern spectacle, Circassian and ruffling, a new cornerstone in its work of restoration of the great Italian popular music.

The best songs of his repertoire (12 albums since 2005) are part of Luca Bassanese’s new show, supplemented by new compositions produced by Stefano Florio, manager of the Buenaonda label. Over the years, Luca Bassanese has collaborated with numerous Italian and foreign artists, including, to name a few, the Original Kocani Orkestar of Macedonia, the Berber artist Bachir Charaf (nicknamed The Voice of the Desert), and the satirical artist Antonio Cornacchione. On his latest album also appears Jacopo Fo (son of the writer, playwright, director and actor Dario Fo, Nobel Prize for Literature) and the Choir Mondines de Bentivoglio. Luca is also a regular host of the prestigious Carnevale di Viareggio. Among the official recognition for his artistic and activist engagement, Luca has received several awards (Targa MEI, Premio Recanati Musicultura, Marcello Torre National Award, etc.).

Luca is without question one of the major characters of the new committed Italian popular music. His colourful shows are accessible to a wide audience, including family and children.


Line Up

Quartet
Luca Bassanese – lead vocal, tammorra, guitar, bass drum
Stefano Florio – guitars, bouzouki, effects, vocals
Massimo Tuzza – drums
Elodie Lebigre – vocal, dance

Sextet
Luca Bassanese – lead vocal, tammorra, guitar, bass drum
Domenico de Nichilo – trumpet
Stefano Florio – guitars, bouzouki, effects, vocals
Paolo Cecchin – bass, vocals
Massimo Tuzza – drums
Elodie Lebigre – vocals, dance


Discography

2020 Piazza Bassanese, CD, Ola Ola Music
2019 Liberate l’Elefante! Venite Gente Pim Pum Pam, CD, Ola Ola Music
2019 Live at Paléo Festival Nyon, CD, Ola Ola Music
2017  Colpiscimi felicità, CD, Buenaonda
2015  Quando piove tutti cercano riparo tranne gli alberi che hanno altro a cui pensare, CD, Buenaonda
2014 L’amore (è) sostenibile, CD, Buenaonda
2013 Popolare contemporaneo – per l’acqua, per la terra per la dignità dei popoli, CD, Buenaonda
2012 La Rivoluzione, CD, Buenaonda
2011 C’è un mondo che si muove!, CD, Buenaonda
2010 Il Futuro del Mondo, CD, Buenaonda
2008 La Società dello Spettacolo, CD, Buenaonda
2006 Al mercato, CD, X-Land
2005 Oggi che il qualunquismo è un’’arte mi metto da parte e vivo le cose a modo mio, EP, X-Land


Press

“A minstrel show, full of music and fantasy, where italian Commedia dell’Arte meets Fellini’s magic world.”
Cabaret Sauvage@Le Bal Rital, Paris (FR)

“Luca Bassanese accompanied by the Piccola Orchestra Popolare, a passionate exhibition of strong scenic and musical impact. The actor, musician and ballad singer proved again to be one of the most interesting exponents of the Italian popular music world. “
Michele Fumagallo, Il manifesto (IT)

“The street orchestra accentuates the athmosphere with Bassanese the “philosopher”, outright and addictive.”
Andrea Laffranchi, Corriere della Sera (IT)

“In Paris, Place d’Italie, a crowd gathered and danced to the rhythm of the hectic tarantella of the Italian artist Luca Bassanese and his group. Congratulations to Luca whom we want to hear again in many public places of the city!”
Nadia Khouri-Dagher, Babelmed.net (IT, FR, UK)

„I was there… spectacular concert of Luca Bassanese and his band, magnificent, fantasy, poetry…“
Bruno Moio, Radio Aligre, Paris (FR)

Suonno d’Ajere (Italy)

Canzone Classica Napoletana

Three passionate musicians, born and bred in the city of Naples, have come together to prove once and for all that the tradition of Neapolitan song writing is still as moving and relevant as it has ever been.

Suonno d’Ajere means “The Dream of Yesterday” and refers to a famous song title by Neapolitan cantautore Pino Daniele. The trio was born in 2016 from the need to know and enhance what Naples has produced in its vocal musical history. Despite their different musical backgrounds, from jazz to light music, from popular to classical, the members of the group have always been confronted with Neapolitan song, remaining deeply fascinated. They intend to restore dignity and depth to this tradition by exploring all the repertoire from 1600 to the present day, proposing arrangements that combine stylistic rigour with a contemporary approach. The choice of instruments recalls the popular Posteggia formations from the early nineteenth century, street and bar musicians loved by common people as well as by aristocrats, but the execution is of a far more refined and sophisticated approach, often far from the street versions. The result is a flamboyant mix between popular and classical that has always been the cornerstone of Neapolitan music.

Suonno d’Ajere are the recipients of numerous awards (including the First Prize at SanremoCantaNapoli Festival as well as a performance at Biennale di Venezia for the soundtrack of La Chimera documentary) and much critical acclaim for their performances of existing songs as well as their own original compositions. In 2019 they released their debut album Suspiro.

“Neapolitan song is not a relic for museums, nor a mummy without oxygen. Its scores are no holy pells but a legacy to be celebrated.” Suonno d’Ajere


Line Up

Irene Lupe Scarpato – vocals
Marcello Smigliante Gentile – mandolin, mandola, mandoloncello
Gian Marco Libeccio – classical guitar


Press

“breathtaking musicality …. one of the best albums of the year.”
Mirjam Jessa, ORF Ö1, AT

“Suonno d’Ajere clearly believe in the songs and the mother tongue of the Gulf of Naples.“
Napoli Today, IT
„This group gives me hope for our forgotten classical repertoire.“
Salvatore Palomba, poet and writer, IT

„Suspiro is neither vintage nor anachronistic, but the intelligent balance between philology and the temptations of our time.“
Il Mattino, IT

„Suonno d’Ajere reassure!“
Radio Napoli

RENATO BORGHETTI PRESENTS “GAITA NA FÁBRICA” ON TOUR IN EUROPE

GAITA NA FÁBRICA – Sounds from the Squeezebox Factory!

Renato Borghetti and his quartet present their new project „Accordion in the Factory“, produced entirely at the FÁBRICA DE GAITEIROS, the cultural space where Borghetti is developing his new social project. It is a magical, inspiring place, where children and young adults can develop their love for music and at the same time learn how to play the accordion. The new album is the result of this very special atmosphere, offering a mature and contemporary twist on the typical rhythms from the south of Brazil. Milongas, Vaneiras, Xote and Chamamés, executed in an unconventional and almost classical formation: piano (Vitor Peixoto), flute/sax (Pedro Figueiredo) and acoustic guitar (Daniel Sá, also in charge of musical direction).

Upcoming Release Tour in Europe:
18-10 Oldenburg (DE), Theater Laboratorium・19-10 Berlin (DE), UFA Fabrik・21-10 Halle (DE), Festival Akkordeon Akut!・22-10 Esslingen (DE), Kulturzentrum Dieselstrasse・23-10 Langenau (DE), Pfleghof・25-10 Wien (AT), Porgy&Bess・26-10 Bad Gastein (AT), Jazz im Sägewerk・27-10 Innsbruck (AT), Treibhaus・28-10 Treviglio BG (IT), Teatro Nuovo TBC・29-10 Thalwil (CH), Hotel Sedartis, Thalwil Jazz Club・30-10 Wolfach (DE), Klausenbauernhof ・01-11 Altamura (IT), Teatro Mercadante, Suoni della Murgia Winter・03-11 Cluj (RO), Hungarian National Theater・05-11 Torres Vedras (PT), Festival Accordeões do Mundo

RICCARDO TESI TURNS 60 – BELLA CIAO GOES WOMEX!

Just on time for his upcoming 60th birthday on July 22, Riccardo Tesi has plenty of reasons to be happy: Italian ethnomusicologist Neri Pollastri has recently presented his biography UNA VITA A BOTTONI. Concerts and tours with his main projects  Banditaliana, Bella Ciao and the accordion quintet Samuraï will lead the Tuscan accordion master all across Europe during the summer months. And the special birthday news is that Riccardo’s present success story Bella Ciao featuring Lucilla Galeazzi and Elena Ledda has been selected for a showcase at this years WOMEX in Santiago de Compostela. Auguri maestro!

Elina Duni (Albania/Switzerland)

La Fille de l’Air

Born into a highly artistic family in Tirana, Albania, in 1981, Elina Duni made her first steps on the stage as a singer aged five, singing for National Radio and Television. In 1992, after the fall of the communist regime, she settled in Geneva, Switzerland, with her mother, where she started studying classical piano and thereafter discovered jazz. She went on to study on the jazz programme at Hochschule der Künste in Bern. During this time, she formed the Elina Duni Quartet with Colin Vallon on piano, Patrice Moret on double bass and Norbert Pfammatter on drums. This project represented a return to her musical roots, a combination of Balkan folk songs and jazz.

After two albums, Baresha (2008) and Lume (2010), both on Meta Records, the quartet went on to release for ECM in 2012, Matane Malit (Beyond the Mountain) and in 2015, Dallëndyshe  (Swallow), which were praised by the wider European media for their lightness as well as their subtle manner of exploring Albanian folklore. In 2014, Elina Duni released her first album as a singer-songwriter in Kosovo and Albania, entitled Muza e Zezë (The Black Muse).

In 2017, Elina Duni was one of the winners of the Swiss Music Prize, and in 2018 her first solo project Partir was released on ECM: In nine (!) languages she presents old folk songs, chansons and ballads of farewell and separation, accompanying herself on guitar, piano and frame drum.

For her latest project Songs of Love and Exile Elina is joined by guitarist and BBC New Generation Artist Rob Luft, one of the rising stars of London’s flourishing contemporary jazz scene. Luft’s playing incorporates echoes of West African high-life, Celtic folk and textural minimalism. His joyously original sound finds an ideal counterpart in Elina Duni’s vocals. Their first common album Lost Ships will be released by ECM Records end of 2020.

“I come from a family who has already fought against fascism, this is why I abhor any kind of nationalism. Societies who seal themselves off, are fearful societies. We all have to learn again how to fight for things that we have come to see as a given and take for granted.” (Elina Duni)


Current Projects

Elina Duni Solo “Partir”
Duo Elina Duni & Rob Luft
Trio Elina Duni & Rob Luft feat. Fred Thomas
Quartet Elina Duni Band


Discography

2020 Lost Ships, ECM
2018 Partir, ECM
2015 Dallëndyshe, ECM
2014 Muza e Zezë
2012 Matane Malit, ECM
2010 Lume, Lume, Meta Records
2008 Baresha, Meta Records


Awards

2020 Freiburger Leiter, Germany
2017 Swiss Music Prize
2015 Diaspora Award, Embassy of Kosovo, Switzerland
2013 Kult Award for “Matanë Malit”, Tirana, Albania
2012 Jazz Pott Award, Essen, Germany
2010 Pro Helvetia “Priority Jazz ” for Elina Duni Quartet, Switzerland
2008 HKB Prize, Bern, Switzerland
2008 “Coup de Coeur 2008” Bern, Switzerland
2007 Friedl Wald Prize, Switzerland


Press

“Duni’s soaring, sensuous singing has a clarity and purity that recalls, say, Yanka Rupkina, but it is tellingly infused with jazz elements such as light scatting and sparing but effective melodic improvisation.”
London Jazz News, UK, 2019

“… Each of her songs turns into a convincing recital, a profound homage to sincere humanity.”
Kulturkomplott, DE

“This album is all of a piece. Tuned in a pensive tone, although it is about departure. But this departure is not frivolous or euphoric, and Elina sings about it with earthy presence and mastered strenth.”
Neue Züricher Zeitung, CH

“Her voice is pure and clear and of ever more transparent intimacy. She does not cling but lets you go off to something at the same time melancolic but also full of hope and relief.”
Kulturtipp, CH

Lucilla Galeazzi (Italy)

The Pasionaria of Italian Folk

Currently the most active and worldwide well-known Italian folk singer, Lucilla Galeazzi’s career as a soloist or included in projects by other famous artists keeps her constantly on tour all over the world. After many years with Giovanna Marini’s Vocal Quartet and Christina Pluhar’s L’Arpeggiata, she keeps on singing and touring with her own musical projects, spreading worldwide the Italian oral tradition of popular music.

Lucilla Galeazzi was born in Terni, a small inustrial town in Umbria. Starting as a pop singer, soon she approached popular music after a fortunate encounter with Umbria anthropologist Valentino Paparelli and with oral historian Alessandro Portelli, both already engaged in ethnomusicological research in Umbria and central Italy. In 1977 she meets Giovanna Marini and joins her Vocal Quartet, knowing a consequent international success. In 1986 she meets Roberto de Simone and takes part in his great show “Stabat Mater” performed at the Opera Theater in Naples and on tour in New York and the USA. In 1987 she founds the musical trio Il Trillo, with Ambrogio Sparagna, barrel organ, and Carlo Rizzo, tambourines. With this trio she goes beyond the mere re-statement of musical oral tradition.

Lucilla has performed on the big opera stages in Naples, Berlin, Hamburg and New York and worked with many stars of the international folk scene such as Elena Ledda from Sardinia, Maria del Mar Bonnet from Mallorca, Portuguese Fado singer Teresa Salgueiro, Argentinian Mercedes Sosa and Rai singer Cheb Khaled from Algeria. Together with the French jazz musicians Michel Godard und Vincent Courtois she founded the critically acclaimed Trio Rouge, and for many years she toured around the world as a member of Christina Pluhar’s Baroque ensemble L’Arpeggiata.

She is one of the voices of Bella Ciao, the Italian all star project around organetto maestro Riccardo Tesi, which 50 yeras later restages the historical partisans’ and workers’ songs of the Italian Folk revival of the sixties and seventies. Recently Lucilla has also started to present her own productions: In 2014, she writes and promotes two major theatrical-musical shows dedicated to the First World War: Doppio Fronte. Oratorio per la Grande Guerra, with renowned Italian actor and performer Moni Ovadia, and Il fronte delle donne. In 2016 she writes and plays the show La nave a Vapore, devoted to the history of the great Italian migratory movements. Her latest adventure is Alegria e Libertà, an international co-production with the Galician-Belgian vocal quartet Ialma,  Didier Laloy on accordion and Carlo Rizzo on tamburello.


Current Projects

Solo Lucilla Galeazzi vocals & guitar
Duo Quanti Canti Lucilla Galeazzi & Stefania Placidi (vocals & guitars)
Trio Trad Lucilla Galeazzi vocals / Marcello Vitale guitar / Carmine Bruno percussion
Trio Rouge Lucilla Galeazzi vocals / Michel Godard tuba / Vincent Courtois cello
Festa Italiana Lucilla Galeazzi & Quintet
Alegria & Libertà Lucilla Galeazzi & vocal quartet Ialma (BE) – acc – perc


Discography

2018 Alegria e Libertà, Lucilla Galeazzi/Ialma/Didier Laloy/Carlo Rizzo/Maarten Decombel (Homerecords/Galileo MC)
2015 Bella Ciao, Lucilla Galeazzi/Riccardo Tesi/Elena Ledda etc (Visage Music/Galileo MC)
2013 Festa Italiana, Lucilla Galeazzi (Helikonia)
2010 Ancora Bella Ciao, Lucilla Galeazzi (Helikonia)
2010 Sopra i Tetti di Firenze, Lucilla Galeazzi/Riccardo Tesi/Maurizio Geri (Manifesto)
2006 Amore e Acciaio, Lucilla Galeazzi (Zonedimusica)
2005 Stagioni, Lucilla Galeazzi (Buda Musique)
2004 Trio Rouge, Lucilla galeazzi/Michel Godard/Vincent Courtois (Intuition)
2004 All’Improvviso, Lucilla Galeazzi & Christina Pluhar/L’Arpeggiata (Alpha Production)
2002 Renaissance, Philippe Eidel & Lucilla Galeazzi (Naive)
2002 La Tarantella, Lucilla Galeazzi (Alpha Production)
2001 Lunario, Lucilla Galeazzi (C.N.I.)
1997 La Via dei Romei, Ambrogio Sparagna & Lucilla Galeazzi
1997 Cuore di Terra, Lucilla Galeazzi (C.N.I.)
1993 Giovà il Servo del Ré, Ambrogio Sparagna & Lucilla Galeazzi (BMG)
1992 Il Trillo, Lucilla Galeazzi / Amrbogio Sparagna / Carlo Rizzo (Thelonius)
1984 Anninnia, Paolo Damiani & Lucilla Galeazzi (Nueva)



Press

„These ancient melodies, witness to the rich culture of Italy’s storied past, are made new again through Galeazzi’s exquisite voice and engaging style. Galeazzi’s arrangements of Italian songs and dance melodies celebrate the beauty and vitality of the Mediterranean’s multicultural heritage.“
Carnegie Hall Promotion, USA

„Lucilla’s voice has a wide field to offer: harmonious and quiet, sad and melancholic and also very powerful and intensive. The album is full of southern emotions. Great work!“
Folkworld, DE

„Lucilla Galeazzi has a voice of amazing clarity, versatility and beauty. This collection of songs allows that voice to shine. Lunario is full of conflicting feelings and expressions that are magically bridged by the simple power of the songs.“
Rootsworld, USA


 

Samuraï Accordion (Finland/Ireland/Italy/Spain)

The Ultimate Squeezebox Experience

The name’ Samurai’ is no coincidence, nor is TE or 手 (Japanese for “hand”) as an album title. It is a look at ancestral Japan, at our collective imagination. The Samurai was a noble warrior at the service of a cause, as these 5 magnificent musicians are, at the service of the accordion, in order to give it all its ‘ letters’ of nobility.It is necessary to be body and soul at the service of the instrument to reach this level of virtuosity, finesse and musicality. These five have done so and this new opus shows us how the breath produced by such hands is clever, stealthy, fine, expressive, contemporary and traditional, strong, powerful, always in the right place, surprising…. Quite an art… The Samurai in Japan was a master in the art of warfare, our Samurai are masters in the art of music, a sacred battle!

This fabulous talent-studded programme – with some slight line up changes since their first album – includes no less than five of the most dazzling exponents of the squeezebox in Europe. They have all made a huge contribution to advancing the cause of the diatonic accordion, each in their own sphere: Riccardo Tesi from Tuscnay is the grey eminence of the new Italian musica popolare. He represents the rise of Italian folklore in the seventies, whereas Simone Botasso is one the most important exponents of the young contemporary Italian scene. Highly energetic Kepa Junkera from the Pyrenees has completely renewed the accordion on the crossroad between France and Spain. Markku Lepistö belongs to the most renowned virtuosos of Finnish folk music and teaches at Sibelius Academy in Helsinki, and Irish grandee David Munelly has toured around the world with the most important groups of more or less traditional Irish music.

In common with the characters pervading the imaginary universe of the Japanese, these players have succeeded in combining a variety of styles to create a bold and expressive musical experience. Ingeniously melodic, brilliantly tonal, an invitation to savour an intimate atmosphere or relish a session of wild dancing: these musicians with an impressive list of credentials offer us a spectacular and extremely beguiling event.


Line up from 2017

Simone Bottasso (Italy)
Kepa Junkera (Spain)
Markku Lepistö (Finland)
David Munnelly (Ireland)
Riccardo Tesi (Italy)


Discography

2017 TÉ, Visage Music/Galileo MC
2011 Accordion Samurai, Homerecords.be


Awards

2011 Grand Prix International du Disque de l’Académie Charles Cros, Paris (F)
2012 Octaves de la Musique, Brussels (B)


Press

There are only five, not seven, accordion Samurai; they are, however, maginificent.
Songlines, UK

As you might expect there is some wonderfully sparkling virtuoso playing, but the frequent change of tempo, timbre and mood help to maintain interest.
fRoots, UK

TE’ combines a variety of styles to create an inclusive and engaging aural experience that fluctuates between reflective and robust, and ranges from lushly melodic and tonal to wheezily rhythmic.
Tony Hillier on the Australian Press