Luca Bassanese & La Piccola Orchestra Popolare (Italien)

Italian Manu Chao

There has never been a more unusual career than that of Luca Bassanese. Ecologist and independent artist, Luca regularly fills public spaces and concert halls around the country with his mix of poetry, Italian folk music and electro-Balkan sounds. His performances with La Piccola Orchestra Popolare will put you in a good mood and make you want to dance, move your feet and lose yourself for a moment in a third reality. This is what happened to thousands of people in 2018 at various European festivals like Paléo in Switzerland, Esperanzah! and Dranouter in Belgium, and Vidor Festival in Hungary.

The artistic director of ‘Le Grand Soufflet’ festival in France wrote: “The minstrel, activist, poet and musician Luca Bassanese slays austerity by summoning Trans-alpine fanfares and tarantellas in a grand Fellini operetta, in a style that is both folk and world music. A musician who grew up with the records of the great Fabrizio de Andrè, and enlivened by the powerful folklore of the two shores of the Adriatic (the Italian and the Balkan), he fanned the embers of social engagement with klezmer hints of brass or heady gusts of opera buffa. What Luca Bassanese proposes to us is a modern spectacle, Circassian and ruffling, a new cornerstone in its work of restoration of the great Italian popular music.

The best songs of his repertoire (12 albums since 2005) are part of Luca Bassanese’s new show, supplemented by new compositions produced by Stefano Florio, manager of the Buenaonda label. Over the years, Luca Bassanese has collaborated with numerous Italian and foreign artists, including, to name a few, the Original Kocani Orkestar of Macedonia, the Berber artist Bachir Charaf (nicknamed The Voice of the Desert), and the satirical artist Antonio Cornacchione. On his latest album also appears Jacopo Fo (son of the writer, playwright, director and actor Dario Fo, Nobel Prize for Literature) and the Choir Mondines de Bentivoglio. Luca is also a regular host of the prestigious Carnevale di Viareggio. Among the official recognition for his artistic and activist engagement, Luca has received several awards (Targa MEI, Premio Recanati Musicultura, Marcello Torre National Award, etc.).

Luca is without question one of the major characters of the new committed Italian popular music. His colourful shows are accessible to a wide audience, including family and children.


Besetzung Quartett

Luca Bassanese – lead vocal, tammorra, guitar, bass drum
Domenico de Nichilo – trumpet
Stefano Florio – guitars, bouzouki, effects, vocals
Paolo Cecchin – bass, vocals
Massimo Tuzza – drums
Elodie Lebigre – vocal, dance


Discography

2019 Liberate l’Elefante! Venite Gente Pim Pum Pam, CD, Ola Ola Music
2019 Live at Paléo Festival Nyon, CD, Ola Ola Music
2017  Colpiscimi felicità, CD, Buenaonda
2015  Quando piove tutti cercano riparo tranne gli alberi che hanno altro a cui pensare, CD, Buenaonda
2014 L’amore (è) sostenibile, CD, Buenaonda
2013 Popolare contemporaneo – per l’acqua, per la terra per la dignità dei popoli, CD, Buenaonda
2012 La Rivoluzione, CD, Buenaonda
2011 C’è un mondo che si muove!, CD, Buenaonda
2010 Il Futuro del Mondo, CD, Buenaonda
2008 La Società dello Spettacolo, CD, Buenaonda
2006 Al mercato, CD, X-Land
2005 Oggi che il qualunquismo è un’’arte mi metto da parte e vivo le cose a modo mio, EP, X-Land


Press

“A minstrel show, full of music and fantasy, where italian Commedia dell’Arte meets Fellini magic world.”
Cabaret Sauvage@Le Bal Rital, Paris (FR)

“Luca Bassanese accompanied by the Piccola Orchestra Popolare, a passionate exhibition of strong scenic and musical impact. The actor, musician and ballad singer proved again to be one of the most interesting exponents of the Italian popular music world. “
Michele Fumagallo, Il manifesto (IT)

“The street orchestra accentuates the athmosphere with Bassanese the “philosopher”, outright and addictive.”
Andrea Laffranchi, Corriere della Sera (IT)

“In Paris, Place d’Italie, a crowd gathered and danced to the rhythm of the hectic tarantella of the Italian artist Luca Bassanese and his group. Congratulations to Luca whom we want to hear again in many public places of the city!”
Nadia Khouri-Dagher, Babelmed.net (IT, FR, UK)

„I was there… spectacular concert of Luca Bassanese and his band, magnificent, fantasy, poetry…“
Bruno Moio, Radio Aligre, Paris (FR)

Suonno d’Ajere (Italy)

Canzone Classica Napoletana

Three passionate musicians, born and bred in the city of Naples, have come together to prove once and for all that the tradition of Neapolitan song writing is still as moving and relevant as it has ever been.

Suonno d’Ajere means “The Dream of Yesterday” and refers to a famous song title by Neapolitan cantautore Pino Daniele. The trio was born in 2016 from the need to know and enhance what Naples has produced in its vocal musical history. Despite their different musical backgrounds, from jazz to light music, from popular to classical, the members of the group have always been confronted with Neapolitan song, remaining deeply fascinated. They intend to restore dignity and depth to this tradition by exploring all the repertoire from 1600 to the present day, proposing arrangements that combine stylistic rigour with a contemporary approach. The choice of instruments recalls the popular Posteggia formations from the early nineteenth century, street and bar musicians loved by common people as well as by aristocrats, but the execution is of a far more refined and sophisticated approach, often far from the street versions. The result is a flamboyant mix between popular and classical that has always been the cornerstone of Neapolitan music.

Suonno d’Ajere are the recipients of numerous awards (including the First Prize at SanremoCantaNapoli Festival as well as a performance at Biennale di Venezia for the soundtrack of La Chimera documentary) and much critical acclaim for their performances of existing songs as well as their own original compositions. In 2019 they released their debut album Suspiro.

“Neapolitan song is not a relic for museums, nor a mummy without oxygen. Its scores are no holy pells but a legacy to be celebrated.” Suonno d’Ajere


Line Up

Irene Lupe Scarpato – vocals
Marcello Smigliante Gentile – mandolin, mandola, mandoloncello
Gian Marco Libeccio – classical guitar


Press

“breathtaking musicality …. one of the best albums of the year.”
Mirjam Jessa, ORF Ö1, AT

“Suonno d’Ajere clearly believe in the songs and the mother tongue of the Gulf of Naples.“
Napoli Today, IT
„This group gives me hope for our forgotten classical repertoire.“
Salvatore Palomba, poet and writer, IT

„Suspiro is neither vintage nor anachronistic, but the intelligent balance between philology and the temptations of our time.“
Il Mattino, IT

„Suonno d’Ajere reassure!“
Radio Napoli

RENATO BORGHETTI PRESENTS “GAITA NA FÁBRICA” ON TOUR IN EUROPE

GAITA NA FÁBRICA – Sounds from the Squeezebox Factory!

Renato Borghetti and his quartet present their new project „Accordion in the Factory“, produced entirely at the FÁBRICA DE GAITEIROS, the cultural space where Borghetti is developing his new social project. It is a magical, inspiring place, where children and young adults can develop their love for music and at the same time learn how to play the accordion. The new album is the result of this very special atmosphere, offering a mature and contemporary twist on the typical rhythms from the south of Brazil. Milongas, Vaneiras, Xote and Chamamés, executed in an unconventional and almost classical formation: piano (Vitor Peixoto), flute/sax (Pedro Figueiredo) and acoustic guitar (Daniel Sá, also in charge of musical direction).

Upcoming Release Tour in Europe:
18-10 Oldenburg (DE), Theater Laboratorium・19-10 Berlin (DE), UFA Fabrik・21-10 Halle (DE), Festival Akkordeon Akut!・22-10 Esslingen (DE), Kulturzentrum Dieselstrasse・23-10 Langenau (DE), Pfleghof・25-10 Wien (AT), Porgy&Bess・26-10 Bad Gastein (AT), Jazz im Sägewerk・27-10 Innsbruck (AT), Treibhaus・28-10 Treviglio BG (IT), Teatro Nuovo TBC・29-10 Thalwil (CH), Hotel Sedartis, Thalwil Jazz Club・30-10 Wolfach (DE), Klausenbauernhof ・01-11 Altamura (IT), Teatro Mercadante, Suoni della Murgia Winter・03-11 Cluj (RO), Hungarian National Theater・05-11 Torres Vedras (PT), Festival Accordeões do Mundo

RICCARDO TESI TURNS 60 – BELLA CIAO GOES WOMEX!

Just on time for his upcoming 60th birthday on July 22, Riccardo Tesi has plenty of reasons to be happy: Italian ethnomusicologist Neri Pollastri has recently presented his biography UNA VITA A BOTTONI. Concerts and tours with his main projects  Banditaliana, Bella Ciao and the accordion quintet Samuraï will lead the Tuscan accordion master all across Europe during the summer months. And the special birthday news is that Riccardo’s present success story Bella Ciao featuring Lucilla Galeazzi and Elena Ledda has been selected for a showcase at this years WOMEX in Santiago de Compostela. Auguri maestro!

Elina Duni (Albania/Switzerland)

La Fille de l’Air

Born into a highly artistic family in Tirana, Albania, in 1981, Elina Duni made her first steps on the stage as a singer aged five, singing for National Radio and Television. In 1992, after the fall of the communist regime, she settled in Geneva, Switzerland, with her mother, where she started studying classical piano and thereafter discovered jazz. She went on to study on the jazz programme at Hochschule der Künste in Bern. During this time, she formed the Elina Duni Quartet with Colin Vallon on piano, Patrice Moret on double bass and Norbert Pfammatter on drums. This project represented a return to her musical roots, a combination of Balkan folk songs and jazz.

After two albums, Baresha (2008) and Lume (2010), both on Meta Records, the quartet went on to release for ECM in 2012, Matane Malit (Beyond the Mountain) and in 2015, Dallëndyshe  (Swallow), which were praised by the wider European media for their lightness as well as their subtle manner of exploring Albanian folklore. In 2014, Elina Duni released her first album as a singer-songwriter in Kosovo and Albania, entitled Muza e Zezë (The Black Muse).

In 2017, Elina Duni was one of the winners of the Swiss Music Prize, and in 2018 her first solo project Partir was released on ECM: In nine (!) languages she presents old folk songs, chansons and ballads of farewell and separation, accompanying herself on guitar, piano and frame drum.

For her latest project, Elina is joined by guitarist and BBC New Generation Artist Rob Luft, one of the rising stars of London’s flourishing contemporary jazz scene. Luft’s playing incorporates echoes of West African high-life, Celtic folk and textural minimalism. His joyously original sound finds an ideal counterpart in Elina Duni’s vocals.

“I come from a family who has already fought against fascism, this is why I abhor any kind of nationalism. Societies who seal themselves off, are fearful societies. We all have to learn again how to fight for things that we have come to see as a given and take for granted.” (Elina Duni)


Current Projects

Elina Duni Solo “Partir”
Duo Elina Duni & Rob Luft
Trio Elina Duni & Rob Luft feat. Fred Thomas
Quartet Elina Duni Band


Discography

2018 Partir, ECM
2015 Dallëndyshe, ECM
2014 Muza e Zezë
2012 Matane Malit, ECM
2010 Lume, Lume, Meta Records
2008 Baresha, Meta Records


Awards

2017 Swiss Music Prize
2015 Diaspora Award, Embassy of Kosovo, Switzerland
2013 Kult Award for “Matanë Malit”, Tirana, Albania
2012 Jazz Pott Award, Essen, Germany
2010 Pro Helvetia “Priority Jazz ” for Elina Duni Quartet, Switzerland
2008 HKB Prize, Bern, Switzerland
2008 “Coup de Coeur 2008” Bern, Switzerland
2007 Friedl Wald Prize, Switzerland


Press

“… Each of her songs turns into a convincing recital, a profound homage to sincere humanity.”
Kulturkomplott, DE, 2018

“This album is all of a piece. Tuned in a pensive tone, although it is about departure. But this departure is not frivolous or euphoric, and Elina sings about it with earthy presence and mastered strenth.”
Neue Züricher Zeitung, CH, 2018

“Her voice is pure and clear and of ever more transparent intimacy. She does not cling but lets you go off to something at the same time melancolic but also full of hope and relief.”
Kulturtipp, CH, 2018

Lucilla Galeazzi (Italy)

The Pasionaria of Italian Folk

Currently the most active and worldwide well-known Italian folk singer, Lucilla Galeazzi’s career as a soloist or included in projects by other famous artists keeps her constantly on tour all over the world. After many years with Giovanna Marini’s Vocal Quartet and Christina Pluhar’s L’Arpeggiata, she keeps on singing and touring with her own musical projects, spreading worldwide the Italian oral tradition of popular music.

Lucilla Galeazzi was born in Terni, a small inustrial town in Umbria. Starting as a pop singer, soon she approached popular music after a fortunate encounter with Umbria anthropologist Valentino Paparelli and with oral historian Alessandro Portelli, both already engaged in ethnomusicological research in Umbria and central Italy. In 1977 she meets Giovanna Marini and joins her Vocal Quartet, knowing a consequent international success. In 1986 she meets Roberto de Simone and takes part in his great show “Stabat Mater” performed at the Opera Theater in Naples and on tour in New York and the USA. In 1987 she founds the musical trio Il Trillo, with Ambrogio Sparagna, barrel organ, and Carlo Rizzo, tambourines. With this trio she goes beyond the mere re-statement of musical oral tradition.

Lucilla has performed on the big opera stages in Naples, Berlin, Hamburg and New York and worked with many stars of the international folk scene such as Elena Ledda from Sardinia, Maria del Mar Bonnet from Mallorca, Portuguese Fado singer Teresa Salgueiro, Argentinian Mercedes Sosa and Rai singer Cheb Khaled from Algeria. Together with the French jazz musicians Michel Godard und Vincent Courtois she founded the critically acclaimed Trio Rouge, and for many years she toured around the world as a member of Christina Pluhar’s Baroque ensemble L’Arpeggiata.

She is one of the voices of Bella Ciao, the Italian all star project around organetto maestro Riccardo Tesi, which 50 yeras later restages the historical partisans’ and workers’ songs of the Italian Folk revival of the sixties and seventies. Recently Lucilla has also started to present her own productions: In 2014, she writes and promotes two major theatrical-musical shows dedicated to the First World War: Doppio Fronte. Oratorio per la Grande Guerra, with renowned Italian actor and performer Moni Ovadia, and Il fronte delle donne. In 2016 she writes and plays the show La nave a Vapore, devoted to the history of the great Italian migratory movements. Her latest adventure is Alegria e Libertà, an international co-production with the Galician-Belgian vocal quartet Ialma,  Didier Laloy on accordion and Carlo Rizzo on tamburello.


Current Projects

Solo Lucilla Galeazzi vocals & guitar
Duo Quanti Canti Lucilla Galeazzi & Stefania Placidi (vocals & guitars)
Trio Trad Lucilla Galeazzi vocals / Marcello Vitale guitar / Carmine Bruno percussion
Trio Rouge Lucilla Galeazzi vocals / Michel Godard tuba / Vincent Courtois cello
Festa Italiana Lucilla Galeazzi & Quintet
Alegria & Libertà Lucilla Galeazzi & vocal quartet Ialma (BE) – acc – perc


Discography

2018 Alegria e Libertà, Lucilla Galeazzi/Ialma/Didier Laloy/Carlo Rizzo/Maarten Decombel (Homerecords/Galileo MC)
2015 Bella Ciao, Lucilla Galeazzi/Riccardo Tesi/Elena Ledda etc (Visage Music/Galileo MC)
2013 Festa Italiana, Lucilla Galeazzi (Helikonia)
2010 Ancora Bella Ciao, Lucilla Galeazzi (Helikonia)
2010 Sopra i Tetti di Firenze, Lucilla Galeazzi/Riccardo Tesi/Maurizio Geri (Manifesto)
2006 Amore e Acciaio, Lucilla Galeazzi (Zonedimusica)
2005 Stagioni, Lucilla Galeazzi (Buda Musique)
2004 Trio Rouge, Lucilla galeazzi/Michel Godard/Vincent Courtois (Intuition)
2004 All’Improvviso, Lucilla Galeazzi & Christina Pluhar/L’Arpeggiata (Alpha Production)
2002 Renaissance, Philippe Eidel & Lucilla Galeazzi (Naive)
2002 La Tarantella, Lucilla Galeazzi (Alpha Production)
2001 Lunario, Lucilla Galeazzi (C.N.I.)
1997 La Via dei Romei, Ambrogio Sparagna & Lucilla Galeazzi
1997 Cuore di Terra, Lucilla Galeazzi (C.N.I.)
1993 Giovà il Servo del Ré, Ambrogio Sparagna & Lucilla Galeazzi (BMG)
1992 Il Trillo, Lucilla Galeazzi / Amrbogio Sparagna / Carlo Rizzo (Thelonius)
1984 Anninnia, Paolo Damiani & Lucilla Galeazzi (Nueva)



Press

„These ancient melodies, witness to the rich culture of Italy’s storied past, are made new again through Galeazzi’s exquisite voice and engaging style. Galeazzi’s arrangements of Italian songs and dance melodies celebrate the beauty and vitality of the Mediterranean’s multicultural heritage.“
Carnegie Hall Promotion, USA

„Lucilla’s voice has a wide field to offer: harmonious and quiet, sad and melancholic and also very powerful and intensive. The album is full of southern emotions. Great work!“
Folkworld, DE

„Lucilla Galeazzi has a voice of amazing clarity, versatility and beauty. This collection of songs allows that voice to shine. Lunario is full of conflicting feelings and expressions that are magically bridged by the simple power of the songs.“
Rootsworld, USA


 

Samuraï Accordion (Finland/Ireland/Italy/Spain)

The Ultimate Squeezebox Experience

The name’ Samurai’ is no coincidence, nor is TE or 手 (Japanese for “hand”) as an album title. It is a look at ancestral Japan, at our collective imagination. The Samurai was a noble warrior at the service of a cause, as these 5 magnificent musicians are, at the service of the accordion, in order to give it all its ‘ letters’ of nobility.It is necessary to be body and soul at the service of the instrument to reach this level of virtuosity, finesse and musicality. These five have done so and this new opus shows us how the breath produced by such hands is clever, stealthy, fine, expressive, contemporary and traditional, strong, powerful, always in the right place, surprising…. Quite an art… The Samurai in Japan was a master in the art of warfare, our Samurai are masters in the art of music, a sacred battle!

This fabulous talent-studded programme – with some slight line up changes since their first album – includes no less than five of the most dazzling exponents of the squeezebox in Europe. They have all made a huge contribution to advancing the cause of the diatonic accordion, each in their own sphere: Riccardo Tesi from Tuscnay is the grey eminence of the new Italian musica popolare. He represents the rise of Italian folklore in the seventies, whereas Simone Botasso is one the most important exponents of the young contemporary Italian scene. Highly energetic Kepa Junkera from the Pyrenees has completely renewed the accordion on the crossroad between France and Spain. Markku Lepistö belongs to the most renowned virtuosos of Finnish folk music and teaches at Sibelius Academy in Helsinki, and Irish grandee David Munelly has toured around the world with the most important groups of more or less traditional Irish music.

In common with the characters pervading the imaginary universe of the Japanese, these players have succeeded in combining a variety of styles to create a bold and expressive musical experience. Ingeniously melodic, brilliantly tonal, an invitation to savour an intimate atmosphere or relish a session of wild dancing: these musicians with an impressive list of credentials offer us a spectacular and extremely beguiling event.


Line up from 2017

Simone Bottasso (Italy)
Kepa Junkera (Spain)
Markku Lepistö (Finland)
David Munnelly (Ireland)
Riccardo Tesi (Italy)


Discography

2017 TÉ, Visage Music/Galileo MC
2011 Accordion Samurai, Homerecords.be


Awards

2011 Grand Prix International du Disque de l’Académie Charles Cros, Paris (F)
2012 Octaves de la Musique, Brussels (B)


Press

There are only five, not seven, accordion Samurai; they are, however, maginificent.
Songlines, UK

As you might expect there is some wonderfully sparkling virtuoso playing, but the frequent change of tempo, timbre and mood help to maintain interest.
fRoots, UK

TE’ combines a variety of styles to create an inclusive and engaging aural experience that fluctuates between reflective and robust, and ranges from lushly melodic and tonal to wheezily rhythmic.
Tony Hillier on the Australian Press

Maria Kalaniemi (Finland)

The queen of Finnish Accordion

Maria Kalaniemi, a master of free-bass button accordion, is one of Finland’s leading contemporary accordionists. Once a member of pioneering groups Niekku and Aldargaz, from the Sibelius Acdemy Folk Music Department, where she now teaches, her roots are in folk and classical music but her sights and abilities go far beyond existing styles. Technically brilliant as a player, and adept at improvisation, she is also a very powerful, intuitive and sensitive composer, with pieces that stylistically touch in numerous areas but feature her own personality as the driving force. Melody is the meaning and with Maria, listeners are sure to feel her message deeply.

Maria has released many albums, the latest one, Svalan, reached the top position of the European World Music Charts in 2017. In 2018 Maria Kalaniemi was awarded the Finnish State Prize for Music. She was a member of the international accordion collective Accordion Tribe, Swedish-Finnish music group Ramunder, UNTO Tango Orchestra as well as many other projects with whom she has toured throughout Europe, USA and Canada. Currently Kalaniemi performs in quartet with Johanna Iivanainen, Mikko Iivanainen and Timo Alakotila, in duo with Eero Grundström, Desiree Saarela and Marianne Maans.


Current Projects

Maria Kalaniemi (acc) & Timo Alakotila (piano)
Maria Kalaniemi (acc) & Eero Grundström (harmonium)
Vilda Rosor Trio or Quartet


Discography (selection)

2020 Mielo (Akerö/Galileo MC)
2017 Svalan (Akerö/Galileo MC)
2014 Kaustinen Live 2003 (Akerö CD014)
2011 Akerö (AkeröCD011)
2010 Vilda Rosor (Aito Records)
2006 Bellow Poetry (Aito Records AICD 006)
2004 Niskavuoren Nuori Emäntä (Gudaa 41)
2003 Viimenen Maa (LUR 8902-2)
2001 Ambra (Amigo Sweden KMHCD 18)
1999 Ahma (Roccadillo Records ZENCD 2059)
1995 Iho (Olarin Musikki OMCD 57)
1992 Maria Kalaniemi (Olarin Musikki OMCD 40)
1984 Kultaisen Harmonikan Voittaja (Finnish Accordion Institute FAILP 2)


Press

“If fellow Finn Kimmo Pohjonen is said to be the Hendrix of the instrument, then Maria can be credibly claimed to be its Erik Satie.
BBC, UK

„Maria Kalaniemi creates atmospheres and thus cinema for the mind. The starting point for her stories may be the moonshine or the subdued light in a country house, she maybe looking forward to spring or listening to the pattering rain – her listeners enjoy travelling with her and losing themselves in these natural phenomena.”
Jazzzeit, Vienna, AT

„Maria Kalaniemi’s understanding of music seems like meditation, like the questioning of hidden fantasies. But always without creating illusions.”
Jazzthing, DE

„This music is archaic, it seems to call us from far away and nonetheless will always be valid. It sounds melancholic but also dreamlike and light, does not need any technical means and shines from the inside.”
Stereo, DE

Las Hermanas Caronni (Argentina)

A shade of Ravel and Debussy blends with the sounds of the Pampas

Las Hermanas Caronni – two Argentinian twin sisters, Laura and Gianna Caronni, respectively a cellist and a clarinettist, and both singers, deliver on their albums some of the most delicate and intelligent music of the recent years. As a duet, their sound is full of intimacy, yet rich at the same time – due to the stunningly inventive, almost minimalist arrangements. The music sounds exactly like the sum of the artists’ backgrounds: two classically trained musicians enamoured with their country’s folk music. Shades of European Impressionism, of Ravel and Debussy, influences of the South American classical composers like Villa-Lobos, and the unavoidable ghost of tango, all blend perfectly with the melancholy and determination of the folk tunes of the Pampas. Clever, discretely sensual, and endlessly elegant, this is music for those who still cherish values like refinement and class.

Laura and Gianna Caronni were born into a family of Swiss, Italian, Russian and Spanish origins, where the music of Opera and Tango intertwined. They studied classical music and performed in the main concert venues in Argentina as members of the Academic Orchestra of Theatre Colón in Buenos Aires and various other classical and contemporary musical ensembles. In 1998 they moved to France where they first became known through their collaboration with Juan Carlos Cáceres, and where in 2011 their first duo album Baguala de la Siesta was enthusiastically celebrated by press & audience as THE discovery of the season, followed by Vuela in 2013. The sisters’ third and latest album NAVEGAMUNDOS was released in 2015 reached nr.3 of the World Music Charts Europe in April 2016.

In March 2019 the sisters released their fourth album Santa Plástica: Based on classical motives by Ravel, Mozart, Bach oder Piazzolla they have created eleven pieces whose lyrics approach in a poetical way the burning issues of our times, such as pollution or gentrification. In addition to vocals, cello and clarinet they also use flutes such as the Basque Xistu or Southamerican Pincuyo, renowned jazz trumpeteer Erik Truffaz and British-Italian songwriter Piers Faccini featuring as special guests.


Line up

Gianna Caronni – clarinet, vocals
Laura Caronni – cello, vocals


Discography

2019 Santa Plástica (Les Grands Fleuves / L’ Autre Distribution)
2015 Navega Mundos (Les Grands Fleuves / L’ Autre Distribution)
2014 Baguala de la Siesta, Remix (Les Grands Fleuves / L’ Autre Distribution)
2013 Vuela! (Les Grands Fleuves / L’ Autre Distribution)
2011 Baguala de la Siesta (Snail Records/Coast to Coast)


Press

„…a wonderfully unexpected, spare joy…superb on every level.“
fRoots (UK) on Navegamundos

“Two voices, a cello, a clarinet – that’s all they need for their chamber musical reveries.”
Kulturwelt, Bayern 2, DE

This delightful album, being warm and melancholic at the same time, depictures the two faces of exile: the deep pain and the possibility to reinvent everything”.
Libération, FR

“THE discovery of the season. Right after the programme we received an avalanche of emails and enthusiastic comments that carried this self-produced, almost anonymous CD on to another life.”
France Inter, FR

“Their eclectic lyricism, evocative vocal harmonies and inventive stretching and recombination of cello and clarinet technique reveal a sublime poetic mastery that defies categorisation. … There is more unassuming passion, beauty and wisdom in these 13 tangos, canciones, chacareras, milongas and a closing baguala than many artists cab claim in a lifetime.”
Folk Roots, UK

Renato Borghetti (Brazil)

Squeezebox Gaúcho with Passion and Flair

Ecstasy, humour and first rate virtuosity: Accordion wizard Renato Borghetti is the superstar among the nu folk musicians from Rio Grande do Sul in Southern Brazil. The charismatic gaucho has revised, adapted and modernized many of the native sounds of his home country. His shows are unforgettable live events, offering a sparkling and elegant mix of traditional forms such as Milonga, Chacacera and Chamamé with elements of Jazz, Tango and chamber music, adapting each of those forms to his unique style of accordion playing.

“Borghettinho”, as his fans like to call him, has been recording cds since the beginning of the 80ies. He has shared the stage with big names such as Dominguinhos, Sivuca, Stephane Grapelli, Ron Carter and Hermeto Pascoal and is the first Brazilian musician to achieve a golden record with purely instrumental music. His direct and playful style slightly reminds of the feeling of Zydeco and Cajun in Luisiana which combines European and African elements in a similar way. And in spite of all experiments Renato Borghetti remains 100% Gaúcho – with long hair, hat and wide riding breeches.

And he is one of the very few musicians from Southern Brazil who are regularly performing in Europe. “Andanças. Live in Brussels”, Renato’s first and long expected live album, was released in 2011 and represents something like a resume of 10 years touring in Europe – a time of investiganting the musician’s own roots, discovering new ways of musical expression and makiong a lot of new friends. Borghetti is also actively securing the future of his instrument back home in Southern Brazil: at the end of 2010 the first diatonic accordion branded “Borghetti” left the recently founded “Fabrica de Gaiteiros” near Renato’s ranch – a project initiated not only to produce instruments but also to organize accordion courses for underpriviledged children and young people. It was precisely here, at the “Factory of Accordionists”, that he recorded his latest album Gaita na Fábrica – Sounds from the Squezebox Factory, which was presented on an extensive European release tour in autumn 2016.

BorghettiYamandu, a documentary by Estação Eletrica on Renato’s duo project with Brazilian guitar virtuoso Yamandu Costa, was released on DVD and CD in 2017 and nominated for a Grammy Latino in 2018. The European live première of this stunning duo happened at Wiener Konzerthaus in October 2019.


Line up quartet

Renato Borghetti – diatonic button accordion
Daniel Sá – guitar
Vitor Peixoto – piano
Pedro Figueiredo – saxophone, flute


Current Projects

Duo Renato Borghetti (acc) & Yamandu Costa (guit)
Renato Borghetti Quarteto (acc – sax/flute – guit – piano)
Renato Borghetti Quarteto Meets Gabriele Mirabassi (cl)


Discography (selected)

2016 Gaita na Fábrica. Sounds from the Squeezebox Factory. (Saphrane Records)
2011 Andanças. Live in Brussels. (Saphrane Records)
2009 Fandango! (Felmay fy 8147)
2005 Gauchos (Quinton Records Q-0501-2)
2002 Paixao no Peito (Som Livre/RBS Discos)
1999 Ao Ritmo de Tio Bilia
1998 Gauderiando (Atracao)
1996 Gaúcho (RGE)
1995 As 20 Melhores de Renato Borghetti (RGE)
1994 Accordionist (Prestige Records)


DVDs

2017 Borghetti Yamandu (Estação Eletrica)
2016 Gaita na Fábrica (Estação Eletrica)
2012 Renato Borghetti Quarteto Europa (Estaçao Eletrica)
2008 Fandango! (Estaçao Eletrica)
2005 Renato Borghetti Quarteto Ao Vivo No Tatro Sao Pedro


Awards

2018 Borghetti Yamandu (Estação Eletrica), CD&DVD, nominated for a Grammy Latino
2011 Andanças, best CD of the year of the Dutch newspaper Het Parool, selected among the best CDs of the year 2011 on All About Jazz Italia
2009 Womex Showcase in Copenhagen
2008 Fandango!, CD&DVD, Premio Açorianos as best CD&DVD of the year, nominated for a Grammy Latino
2005 Gauchos, CD, nominated for Preis der Deutschen Schallplattenkritik
2005 Gaitaponto.com, CD, nominated for a Grammy Latino


Press

“An inimitable Brazilian feeling comes through – a certain languor and naturalness in the rhythms and relationships… Borghetti’s folk has an expansive register and emotional range and is a perfect introduction to a sound as removed from the world music radar as its heartland is off the tourist map.”
Songlines (UK) on Andanças

“The sound quality is wonderfully transparent, you can almost physically feel the presence of the audience, and the guys are playing mind-blowing solos. Prozac? Light therapy? No need for all of this: With their music, Borghetti and his musicians do really chase winter depression away through the front door.”
Het Parool (NL) on Andanças

“Who has not seen on stage this accordionist and wonderful communicator with the attitude of a flamenco dancer, does not know what are joy and improvisation!”
Musibrasil (IT)

“Mozart would have enjoyed it a lot!”
Wiener Zeitung, Vienna (AT)

“With Borghetti the Gaúcho tradition of Vanerão, Rancheira and Milonga turns into elegance and finesse. With his long hair and hat he appears like a popstar – but above all he is a brilliant virtuoso on his button accordion, impulsive and dynamic. And in certain moments his body seems to be inhabited by Piazzolla’s spirit.”
Musicas sem Fronteiras – Cronicas da Terra (PT)

“Borghetti does to Gaúcho music what Piazzolla did to Tango.”
Jazzthetik on “Gauchos” (DE)